The article "The Real Thing? Souvenir Objects in the West African Collections at the Manchester Museum" by Emma Poulter addresses the place of “made for sale” objects within the museums. Objects sold in Africa for European tourists
are the focus of the case studies presented. Some argue that souvenir objects
serve no purpose within museums, others argue that they can become “valuable
indicators of the formation and transformation of meaning, identity, and memory
across cultural boundaries at particular times and places.”
As Europeans began to become
more familiar with African cultures during the 19th century, some
cultures became known for specific things.
In European minds, these objects began to represent what was
“traditional” for their culture, and all other objects were considered
“untraditional.” Therefore, African
souvenirs can tell public historians a lot about what Europeans thought of the
African cultures.
Souvenir design changed
overtime through interactions with Europeans and processing their
requests. For example, some objects look
just like the originals and look to have been made by a skilled craftsman. On the other hand, there are objects that
were specifically designed with flat backs for display on European walls.
In the 1930s African magazines highlighted specific types
of objects from specific areas which reinforced European notions of what was
“traditional” in each area. Bida, for
example, became known for their metalwork.
Their metal trade relationship with Europeans led them to produce
objects that were more geared towards European tastes, and “colonial
administrators were thus simultaneously reconfiguring their identities and sense
of place through ‘things.’”
I think that it's really interesting how much souvenir objects can tell us about cultures and history. It would be interesting to see more exhibits representing the significance of souvenir items.
http://journals.ohiolink.edu.ezproxy.libraries.wright.edu:2048/ejc/article.cgi?issn=13591835&issue=v16i0003&article=265_trtsoiacatmm
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