Glassberg
defines a “sense of place” as a psychological phenomenon that is begun in early
childhood. He explains that attachments formed in childhood to a particular
place influence the adult sensibilities, ranging from choice of garden plant to
home décor; adults establish a sense of continuity with the past in this way.
Childhood is not the only influence on the formation of a particular sense of
place. Glassberg asserts that personal memories of friends and family can
influence sense of place; the longer a person lives in an area, the greater
their connection to it becomes due to associations with other memories formed
throughout their time there. The place becomes part of a person’s sense of identity.
This sense of personal identity is key to understand why Americans lack a connection
to community and history in general. In the article “Place and Placenessness in
American History” the general lack of the American public’s connectivity to
community and history is explained by conflicting understandings of community
history due to different interpretations by various groups and due to increased
commercialization; these factors can also explain the failure of Disney’s
America.
. Within communities, different groups perceive
various events differently, due to social and cultural forces of the time. This
leads to a different relationship with the past for each of these groups. For
example, San Francisco’s Portola Festival, while it embodies the attempt to
represent a community history, actually ended up demonstrating the divisions
within the society. In general, social patterns within a space itself reinforce
these divisions, in terms of where people live and work. As demonstrated by
Disney’s “Song of the South,” and his other attempts at history, he exhibits
demonstrate historical distortion—a fabricated amalgamation of whatever is most
neat and nostalgic. Disney’s hyper-sanitized history reflected the general
dominant social trends of the 1950s to be content with the present, and to
apply what Wallace termed “selective amnesia” to situations that were less than
ideal.
It is
argued that increasingly, due to a change in media exposure and an increasingly
global economy that the sense of belonging in a place is increasingly deteriorating.
Locations no longer seem as distinctive as perhaps they once did. Forging a
sense of identity can be, in some cases, linked more to brand usage than to
location. Commercialization and increased standardization, some argue, has
stripped the uniqueness out of areas and has thus removed aspects from society
that help the individual form a link to a particular place as unique or
special. As demonstrated by the Hall of Presidents exhibit at Disney World, “sense
of place” might have less to do with the failure of Disney’s America compared
to a sense of time. It was no longer appropriate to have a blindly
nationalistic approach to U.S. history (for example, Nixon being laughed at for
being labeled a “defender of the Constitution”); media exposure had stripped
away the aura of the presidency for generations that could remember more recent
occurrences. As a result, Disney history failed. Once again, it was
demonstrated that history could not be presented as a whitewash in an area when
so much information is available and ideas could be transmitted with increasing
relative ease.
Disney’s
failed attempt at communicating an idea of history failed due to the inability
for groups to connect to his message in a cohesive enough manner. Different
views of history from within various groups, shaped by their senses of given
places prevented one particular narrative becoming the historical narrative.
Exposure to media (and the results it had in the case of Watergate), further eroded
a sense of blind nationalism which too damaged Disney’s image of history. Suburban
sprawl, transportation-induced fragmentation of community, and changes in areas
contributed to the disintegration of a sense of community, hurting Disney’s
concept of “Main Street”—it became alien, not the idealized norm. In addition,
a sense of placelessness contributed to the inability to form a bond to certain
so-called nostalgic images that Disney presented. As a result, a sense of place
that is in many ways so critical to the American link to community and to its history
is never fully established.
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